Looking for early hints of Jacques Barzun’s later greatness, glimpses can be caught in the eighth volume of The Columbia Varsity. Pulling the Editor-in-Chief feather from his cap, he turns it into a busy quill. The first issue (October 1926) contains no fewer than five articles bearing his imprimatur. Thanks to the sharp eye of Jocelyn Wilk of the Columbia Archives, I have copies of the unsigned editorials, as well. (They may not all be JB’s work, but the congratulations to Nicholas Murray Butler on the 25th anniversary of his inauguration as Columbia University President and the piece on Columbia’s newly established School of Library Service – with criticism of CU’s own libraries – are leading candidates for attribution.) So, Barzun’s productivity must be noted first.
The cover price of “The Official Literary Magazine of Columbia University” was 25¢. The previous academic year saw just two issues of Varsity, but Jacques promises to return to the standard of five issues per year by advertising an annual subscription for a dollar. Offering subscribers two bits in savings might help the magazine’s finances early in the year, while preparing for the costs of publishing future issues … and capturing sales that might otherwise be missed later in the year as campus readers grew preoccupied with studies, papers, and exams. His business sense was already apparent.
The magazine’s layout also changed. JB and his staff replaced the previous year’s large format and graphic design focused cover with a handier size and simple decorative border, relying on words to arrest readers’ attention: “WATERMELANCHOLIA”, “THE WOMAN CAUGHT IN ADULTERY SOLILOQUIZES AT HER WINDOW”, and Barzun’s own “TEXT-BOOKS AND TEDIOUSNESS”. The future literary adviser to Scribner thought like a publisher from an early age.
There is also an interesting coincidence of a new department in the magazine that prefigures similar instances later in his career. “THE WASTE BASKET” bears a title that suggests the brief, informal treatment of lighter subjects that would premiere in the April 1947 issue of Harper’s as “After Hours” – the same month that Barzun became the magazine’s chief book critic. Less than a decade later a similar feature,“The Scholar’s Scratch Pad”, would be inaugurated by Jacques in The American Scholar (Winter 1954–55), pages 96–98.
Clifton Fadiman best described this particular Barzun gift:
“Among his deeply civilized talents is one for the light essay. That adjective is imprecise. For, whether Mr. Barzun writes on baseball (see pp. 159–163 of his God’s Country and Mine) or on Charles Darwin, he permeates his formidable analytic and generalizing power with such wit, grace and charm that the result contradicts physical law, and possesses weight without gravity.”
– from Fadiman’s introduction of Barzun’s “Trains and the Mind of Man” in Holiday, February 1960, at page 11.
New pages for Barzun’s signed contributions to the October 1926 issue of Varsity forthcoming as opportunity allows.